KŌRIN FURUYA, Kōrin-style Patterns n. 14, 1897 sculture si sovrappongono fino a non

si sovrappongono fino a non vedere più chiaramente i contorni immaginati all’origine

are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style

tra piccoli ruscelli e su per le colline

according to an optical effect comparable to the principle of the stenoscope

one of which

KŌRIN FURUYA, Kōrin-style Patterns n. 14, 1897 sculture si sovrappongono fino a nonStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: