Fully Engaged art-code-1 in dgo You don't get a second

You don't get a second chance to work with Cindy Crawford

30 x 30 in / Acrylic on panel

I think it offers an insight into the animal’s soul

I knew I was going to get wet and cold as the camera needed to be on the river’s surface and that meant me being deep in the river in normal ski clothing

Our familiarity with black panthers is less established and to witness their speed from a standing position was a revelation for me

Fully Engaged art-code-1 in dgo You don't get a secondSouth Africa, 2022 LARGE 56 x 79 Unframed 71 x 94 Framed Edition of 12 STANDARD Framed 52 x 67 Over the years, I have marginally tweaked my approach to filming lions at Kevin Richardsons sanctuary in South Africa. Lying flat in my cage in the grasses, I now accept that in their winter, at first light, I am going to get dirty and cold. I want to shoot 20 degrees either side of the rising sun to get some backlight without too much flair. The key